Table Saw Blades, Veneer Patterns, Cocobolo Woes and MORE!!!

This Episodes Questions:

Brians Questions:

Hi Guys
love your podcast. I have a quick question regarding table saw blades. Can you give me a recommendation on a good quality 10″ table saw blade that I can get re-sharpened when needed. I keep blowing through blades and I’m tired of buying new ones. Also, do you send the blades back to get re-sharpened or take them to your nearest local blade sharpening place
thanks in advance
Dave

I’m making an ash table top (never used ash before) and had a few questions. How should I edge join the boards for glue up (domino or biscuits), what’s the best finish for ash when used as a desk to avoid feeling the grain on ash. I don’t have a sprayer but could be a good excuse to get one. What edge profiles do you guys like to use for tables and/or desk that get lots of use and also look good? Chayse

Guy’s Questions:

My latest project is an Arts & Crafts sideboard made in quartersawn white oak. I’m at the point in the project where I need to start thinking about how to finish the piece. Its my first time working with this wood and I’m considering fuming the piece with ammonia as I’ve read that this process will really make the grain rays stand out. People seem pretty divided on whether its worth the time and risk of working with harmful chemicals and I wanted to get your collective thoughts and experience. Have you used an ammonia fuming process? Do you think its worth it? Any tips or tricks to share? I’m in the northeast so the current low temps add some complexity as I’ve learned that colder temperatures slow down the process.
Regards, Adam

I’m working on a veneered box. Normally you’d glue a similarly oriented veneer on the back surface to prevent warping. For the veneer, I’m planning on cross cutting small strips and then gluing them together, roughly like how inlays are made. I’ll then be cutting thin slices from the resulting laminated assembly. I’ll be using the thin slices as the veneer, like a mosaic or a quilt. The grain of these thin slices will run in different directions. Do I still need a backing? If so, in which direction should the backing grain run? Lauris

Huy’s Questions:

The topic of wood movement comes up pretty regularly on this show. When it does, however, it is typically related to questions on how to account for it in regards to a specific project or joinery method. Meanwhile, I’m sitting here wondering what wood movement actually is. I understand that humidity and temperature cause wood to expand or contract, but that’s about where my understanding ends. Why is it important to account for wood movement? What happens if you don’t? What is this business I’ve heard mentioned about projects exploding? On a related note, often when questions about mitigating wood movement come up the answers to those questions are something along the lines of “If you use __ (type of joinery, layout, etc) you shouldn’t have to worry about wood movement.” As someone still very new to the principles of woodworking, the question I always have is: why? Why will using such and such method or assembling your project in this or that manner mitigate wood movement? Zach

Hey guys. Love your podcast and appreciate the help you’ve given me over the years with your knowledge and experience in the craft. I have an entryway table I’m building out of walnut and cocobolo. The top will consist of a glue up of the two woods. What glue should I use for the glue up since cocobolo is very oily? And what sort of finish would you recommend for this application? Thanks again and take care!
Ryan of Mountain Custom Woodworks

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